The Magic and Chemistry of Luster Glazes with Lisa Zolandz
- Description
- Location
- Class Outline:
- About the Artist
- Policies
- Liability & Safety
Part science and part alchemy, in-glaze lusters are a special glaze containing metals (bismuth, silver) that develop fascinating iridescence when reduction fired. Learn how to make and fire in-glaze lusters at mid and high fire temperatures with Lisa Zolandz. Lisa’s process involves an initial firing of the in-glaze luster to cone 6 in an electric kiln, followed by a secondary alcohol-drip reduction. Participants will have the opportunity to work with luster glazes in a hands-on fashion, and leave with an extensive knowledge of glaze chemistry.
October 3rd and 4th | 10:00am - 5:00pm
1600 Altamont Avenue
Richmond, VA 23230
In this two-day workshop, Lisa will discuss the chemistry of luster glazes, multiple methods of post fire reduction and how she approaches glaze testing and development. She will share her results from extensive testing and experimentation.
Lisa’s process involves an initial firing of the in-glaze luster to cone 6 in an electric kiln, followed by a secondary alcohol-drip reduction. Attendees will have to opportunity to apply luster glazes, load the reduction firing, and undoubtedly see how incredibly variable these glazes are.
Notes: The luster glaze is quite runny, so it is recommended that pieces are either fired on a riser and catch plate (like is done with crystalline glazes) or on a kiln washed cookie with walls. Some of the glazes will contain silver nitrate, which stains - gloves will be provided, but attendees should wear clothing they do not mind getting stained.
Items to Bring
- your own bisque ware
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Max 8" height per piece
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(8) pieces total
- Total combined volume of the pieces must not exceed a limit of 170 cubic inches (equivalent to 13″ × 13″ × 8″), and this restriction applies to the entire batch as a whole - not to each individual piece. This includes the height of a riser/catcher/wadded on cookie.
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- use cone 5/6 clay; no black clay
- glaze catchers for your pieces
Lisa Zolandz is a full-time studio potter based in Manassas, VA. Coming to ceramics with a background in the sciences, she naturally found her passion in glaze chemistry. For the past decade she has been working with crystalline glazes and more recently with iridescent in-glaze lusters. She exhibits at fine art festivals throughout the country and spends countless hours testing and developing glazes. Find more of Lisa's work here.
Cancellations made 4 or more days before the start of the class will be refunded. For cancellations made fewer than 4 full days, but more than 24 hours before the start time, a 50% refund or 50% credit toward another class or workshop will be issued. We cannot provide refunds or credits for cancellations or rescheduling requests made fewer than 24 hours before the start time of class, if you miss your class, or arrive too late to participate.
Our classes are for adults. If you have a child under 18 interested in taking a class, please contact us before enrolling.
Liability & Safety
All students must agree to the following upon registering for a class or workshop at Still Life Studio:
Waivers and Safety for Ceramic Classes and Studio Use
- Students will follow all instructions by teacher.
- Students will not load, unload or operate the kilns.
- Long hair should be tied back.
- Do not wear articles of clothing or jewelry that hang off the body.
- Closed footwear is required.
- Do not use any equipment without a staff member present.
- SLS will provide safety glasses or gloves upon request.
- All completed work must be picked up from Still Life Studio no later than 4 weeks after the student’s final class. Still Life Studio is not responsible for any work left longer than 4 weeks. It is the student’s responsibility to pick up their work.
I hereby release and agree to hold Still Life Studio harmless from, and waive on behalf of myself, my heirs, and any personal representatives any and all causes of action, claims, demands, damages, costs, expenses and compensation for damage or loss to myself and/or property that may be caused by any act, or failure to act of the studio, or that may otherwise arise in any way in connection with any services received from Still Life Studio. I understand that this release discharges Still Life Studio from any liability or claim that I, my heirs, or any personal representatives may have against the studio with respect to any bodily injury, illness, death, medical treatment, or property damage that may arise from, or in connection to, any services received from Still Life Studio. This liability waiver and release extends to the studio together with all owners, partners, and employees.
Liability Waiver
In connection with my involvement in ceramic classes at Still Life Studio, I hereby release Still Life Studio, its agents, representatives, successors, or assignees, Still Life Studio management and employees, from all liabilities, actions, claims, damages, demands, costs, and expenses which I am now or in the future have against them, arising out of or in any way connected with my participation in art classes, including enroute to or from the program or its related events. I understand that the waiver includes, but is not limited to, all injuries to me and or loss of injuries to any personal property. I also understand that this waiver includes, but is not limited to, any claims that are based on my alleged negligence or any other action or inaction of any of the above parties.
I also give Still Life Studio permission to publish in print, electronic, or video format the likeness or image of myself and/or my work for the general promotion of Still Life Studio and its programs.
By enrolling in a class or workshop, I am acknowledging that I have read and understand the safety instructions and the liability waiver that have been outlined.